Dolphin encounters can be tough to photograph because they are unpredictable and highly variable, but few subjects will be so warmly appreciated by your friends.
A brief overview of the new Generative Fill (AI) feature in Adobe Photoshop and three ways it can be used to edit underwater photos, closing with a few thoughts on AI and the future of underwater photography.
Scuba divers love to share their favorite tips and tails from dive trips. This column highlights some of those. Ace underwater photographer Stephen Frink has an amusing story about what it takes to get “the shot” of a great white shark.